Bernard Poulin in Arts Plastiques, Artist Management, Visual Artists Painter, Portrait Painter • Bernard Poulin Studios Dec 30, 2017 · 5 min read · ~100

Happy New Year And More. . .

To all of my friends in the artwork creation world : Happy New Year!!!

2017 has proved itself to be (for me) a time of searching for new archiving/cataloguing software. Not easy. . . There’s lots to peruse out there - and they’re all different one from the other - if not equally as useful as they say they are. I therefore leave you with a 2017 parting gift. . . one which may make your life easier if and when you too are in the market for a good “look at what I did throughout my life”service. So. . .

What’s out there as Art Studio Management and/or Artwork Cataloguing software? Do we even need it?

All of the info presented stems from the fact I am old (er) and am therefore interested in making sure I can track or (at least) try to remember all of the artworks I have created over the past 50 years. Why? In essence we, in the visual art world, still recognize that what we do (did) is who we are (were) and what we will be remembered for (if at all). (Funny face emoji here. . . )

Inventory, management, archiving, provenance. . . All of these things mean something to a visual artist when suddenly they discover (remember) that they are finite and their artwork is, possibly, not. . . But for me archiving is about archiving - not promotion, advertising, sales, business practices, taxation or invoicing. It’s not about the multi millions we are collecting every month from the immense number of sales we are experiencing. There are small business apps and concomitant accountants for those. I need a clean list of all of the artwork I have ever created along with all of the pertinent and even intimate information regarding those artworks. That there be sections in which a basic overseeing of sales and contacts are presented in a software is par for the course. But that additional information should be more in keeping with documentation than marketing.

That being said, there is a lot of software (apps or programs) out there which purports to offer a lot for your money in the area of artwork inventory management. And it more often than not is exactly that : inventory management software. . . And that means some programs are good, some bad, some iffy, some amateurish and a few professional. It’s up to us to make up our mind as to what category we attach any of these products of ours to. What others (critics, historians and loved-ones alike) will do with all of this gathered information in the future is their business. We won’t be around to worry about our legacy or how it will be (mis)handled. . . (For that we may need a hard-a. . . lawyer!) Ha!

Nonetheless, what we leave behind should at least be presented in a professional rather than amateur manner. Our lives lived are only as valuable as how well we choose to present our “catalogue raisonné” to the world after we are gone.

That being said, when we have more than 3000 artworks in our lifetime to catalogue. . . losing the ability to access or add to the information we need (during our lifetime) is serious business. Anomalies and/or falsehoods are difficult to correct after the fact.

Past idiocies. . .

Being more obsessed now than I was in my 20s and 30s (when I simply ignored cataloguing and sorting or even photographing (!!!!) my works. . .) I’ve come to realize that growing up is often a series of procrastinations gone wild leading to a hectic race to the end for “order” And so. . . . about 20 years ago I finally began cataloguing in earnest.

But how do we catalogue?

Well, there is software out there - for the Mac, for the PC. A pencil with pink pearl eraser or a smudgy ball-point pen sketching out our life-lines in a “scribbler” is passé. There are downloadable apps now along with cloud based services available. But as usual in this marketing frenzy world, some of these offerings are excellent, some Are serious tries at being of value, some are amateurish and some ridiculous or overly complex in their tries to be professional. From what I have discovered, the really “good stuff” is rather simple, logical, and informative. Like a good wall, they disappear into the background when you insert our work into them - allowing our work to shine. Some of today’s offerings are over-zealous in the design element category - often “over window-dressed” as in : they wear “too much make-up” and display too little legitimate content to be of any archival value.

I’ve reviewed a few programs over the years - tested several, used some and dumped others immediately. The following is a personal commentary on what I have looked at, used and finally ended up with (most recently). I’m not out to knock any “rejected” or ignored software as much as I am out to select the right one for me. And after 50+ years in this business, “me thinks my opinions are worthy of some consideration”. And when did I ever back down anyway? :)

Why did I change software along the way? Wjhat with the trouble of transferring everything to a new archival venue? (1) I’m fussy. . . If you can’t serve my needs, I’m gone. (2) Unlike pencils and ball-points, some of the software offered “becomes” no longer functional because it is (for some reason or another) no longer updated or upgraded by its creators or owners. Therefore these apps simply stop working when they encounter an environment (operating system or OS) which, to stay pertinent itself, is always being updated and upgraded.

Note: Regardless of my choice, I’m more than agreeable to discuss or argue a point that needs to be made in regards to the archiving artworks provided in this comment piece.

So why catalogue?

The main purpose of art studio software should revolve around 2 critical points : (1) It must have organized “filing of concrete evidence of artworks created along with related information” storage capabilities. (2) It must provide a page (s) of varied fields covering the provenance (ongoing life history and “travelogue” of an artwork).

(1) Organization allows us to review and add to data re: the artwork we have created throughout our years spent as painters and sculptors, etc.

(2) Provenance legitimizes our work and provides information which proves the artwork created is ours and not someone else’s. We live in a world of fake news. So let’s make sure our artworks are not perceived to be or have been “fake”.

ALSO : An art catalogue worth its weight in gold will have room for note-taking which, for all intents and purposes, speaks to our life and history as the creators that we have been and continue to be. That being said, archiving is also about you and “moi” along with it being about our artworks. It describes the “what and who” that went into the “what” that we have created.

Nonetheless, not all that is available out there as artwork cataloguing or archival software knows what it is supposed to be. . . Most seem too intently designed to be everything to everyone and, other than being pretty, end up being pretty useless as a respectable recognition of our passing through the “art” world. Some are more inventory-control and selling list oriented apps. Too many offer too much“bells and whistly” stuff & end up being annoying & time consuming wastes.

Personal biases:

Cloud versus downloadable app :

Cloud : I remain seriously wary of cloud based services. If anything screws up in the area of information gathering and “holding”. . . I need to remain the most responsible person for a “disappearance” screw-up. In the cloud, I am not. Losing control of who and what manages the content whereabouts and details of the “stuff” I have created and worked on all of my life is a non sequitur to the deep personal involvement of creating it. And so, for now, I’ll leave cloud recognition to perceiving puppydog faces and rabbit ears as misty clouds float by while I chew on a blade of grass in a farmer’s field whilst looking up to a cobalt blue sky. (Lord I am no poet. . . .)

Desktop Based Applications: That I have the data on my computer makes me responsible (stuck with) the quality of my care-giving abilities. Is it more complex to handle? Certainly! Life is not a series of fun and easy wishings, despite what advertisers sell us.

Do I back up regularly? That should be my concern - not that of some faceless cloud service where everything we “own” can and may evaporate - at least as it relates to our own personal paranoia. Again, being professional demands we be responsible - not numbed or dumbed down by some virtual reality app that promises me it will take care of business - and NEVER lose “my stuff” somewhere in the stratosphere of some pixelated parameter.

Now that my personal opinions have been clearly laid out. . . . . . . What have I seen and been mesmerized (or not) by over the past year?: And how do I judge what I have encountered? :

Review characteristics found within the table below :

(Note: I work on a PC therefore there is little info re Mac computers.)

Table Section Titles:

Cloud or download - Into which category does this product fit?

Levels : Is this product for Pros or for Newbies? I am not being derogatory - comments are based on perceived purpose and design

Support focus and availability : Comments pro and con

(Note : Anywhere a question mark (?) is indicated it simply means I do not know. It does not mean the product is questionable)

Service Cost :

• $ indicates Inexpensive

• $$ = More expensive

• $$$ = Expensive BUT reasonable for the quality presented

• $$$$ - VERY expensive for what is being offered (in my estimation)

Cloud Table:

Happy New Year And More. . .

Desktop Service:

(Note: For those of us with tons of money. . . additional offerings are not listed (whether cloud or desktop based). Why? They are simply in the $$$$$$$ range and are irrelevant to us who are simply seeking a catalogue or archiving service.)

Historical Perspective:

For 10+ years I used Working Artist. It was a VERY professional software with the “artistic” interests of the information gatherer in mind more than that of the “sales gatherer’s” perspective. Yet Working Artist did cover all of the bases and more in all areas. Why did I abandon it?

It abandoned me. . . All of a sudden, its website disappeared - simply indicating that it was moving to another service provider. That info is still up and running as we speak - after a year and more. . . The support service no longer responds to queries or other emails and updates and upgrades have not been forthcoming. What with the new Windows 10. . . That is not acceptable. And since, the program on my main computer has stopped working completely - despite the best efforts of my tech specialist.

Luckily it still works (for now) on my laptop. I need it to still function. . . as it is the template from which I am trying to transfer 50 + years of artwork info to a new (compatible with Windows 10) archiving software.

Artist Organizer Pro:

And so. . . I present to you a latest and greatest discovery “for me” - one which has saved my hide in the area of archival software. It is literally a true discovery because it was found by pure chance while desperately looking for a replacement to my Working Artist software. Ii was found online BUT not in the artwork inventory or archiving software section. . .

I see it as the best ‘unknown” software in this rarified air category of ours which is : cataloguing artworks.

Why Artist Organizer Pro?:

• Why? - it is a well laid-out formula of professional, logical, intelligent offerings which do not play on our egos in order to serve us well. The parent company (Primasoft) - - is not totally dependent on the Artist Organizer to survive. It has a several years track record of constant innovation in various areas of development which makes me feel more secure that they will be around for awhile.

• This product is not promotion, marketing or sales-focused as are so many products which do little else in the area of professional artwork creator information gathering. In essence, it is “professional” catalogue gathering focused - leaving the reasoning behind the cataloguing up to the client.

• It has a clear and intelligent footprint which is not hellbent on “looking pretty” but rather tries to be efficient.

• Support is above and beyond A+++ (Lord, they respond within a 30 hour period!!!) And they ask questions based on the client’s needs rather than theirs!!!!!!!!!!!

• Cost? : $$$ (yet worth the extra pennies) - It IS a professional product.

• It not only has groupings of customizable fields. They are willing to discuss what more we need!!!! (Am I in heaven yet???)

And so, that is the end of my end of 2017 offering. I leave this year, (as dastardly as it came in to be) with a smile on my face. And I hope the same for “ya’ll!

PS: I purchased Artist Organizer Pro outright - after trying out its completely open demo download.

I was not offered any incentive to speak to or about it.

I simply appreciate its professional feel and am so happy there was actually something out there to replace my no longer “available” great product Working Artist.

I also appreciate that in response to my first emails to Artist Organizer Pro - their responses were quick and repeated - and this with excellent support content. Me thinks Primasoft and I will have a long business relationship. (I hope!)

As to the creators of Working Artist - wherever you are - I wish you all the best. You served me well for many years.

It all reminds me of my super extraordinary still running like a dream 9 year old Chevrolet HHR (which still looks like it is just off the assembly line - BUT is no longer being manufactured. . .)

Sigh! I digress. . . (yet again.)

Happy New Year!!!

sharon arnett Feb 28, 2020 · #1

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